LIGHTS! CAMERA! ACTION!
How many times have we as a whole heard this saying. Way too
many in my opinion but it does hold that sense of real movie making. Within
this blog, I've already covered camera although I'm sure I will quite a few
more times as new things develop. But lets take a second and talk about lights.
I know it's not the most fascinating to most of you but you'd be surprised what
you can get out of your money.

What a beauty, right? Not so much. However the one thing
that I love about Kino Flos that give them a second glance in my book is that
the bulbs come in different colors. So if you wanted to go for a Matrix look,
you could do that, granted you would need a lot of Kinos. It will cost roughly
$600 for a nice yellow glow package (which includes 4 bulbs) only lasting 5,000
hours. That is $0.12 an hour! You may think that is a smoking deal but 5,000
hours on a film set will go by quickly. Will you be prepared for that?
Another one of my favorites is the Arri Kit. Unlike the 1
ballasts deal with kinos, Arri comes with a lot more tools. An Arri Compact HMI
200W Fresenel Light includes compact 200W Head, 125/200W AC Ballast, Filter
Frame and Barndor- 200 Total Watts. What did I just say? Let me break it
down...small light, lots of power. It even comes with its own power box to help
you out. Arri is a great company that provides well crafted lights. However it
is only one light that you get. The picture below has different sizes for you to build your own kit with if need be.
Are you sitting down? I hope so for when I tell you the
price. The price for this simple kit is $3,056.95. Yes, you read that right.
You could buy a new car for that price but being part of a production company
you have to understand that price is something you have to work for and with.
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